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Saddle up for some great Westerns

Posted: Tuesday, September 16, 2008 6:43 AM by Paige Newman
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There’s something so basic about watching a Western. Good guys and bad guys. Horses. A Western is the perfect way to spend a fall afternoon (these films work better in the daytime, beer in hand, than in the evening). Here are some of my favorite types:

Starring Clint Eastwood: The best Eastwood Westerns are directed by Sergio Leone. Many of the actors are Italian and dubbed into English, and the voices just barely match the characters, which only makes them more enjoyable. “The Good, The Bad and the Ugly” (if you rent, get the director’s cut) features the wonderful Eli Wallach as Tuco (aka “The Ugly”). Eastwood and Wallach spend the whole movie trying to outsmart each other. It’s an “I hate my buddy” flick. The film is also clearly anti-war (though in this case it’s the Civil War), as evidenced when Eastwood’s Blondie overlooks the carnage and says, “I've never seen so many men wasted so badly.”

Classic Westerns: John Wayne, James Stewart, Gary Cooper, Henry Fonda. Cooper’s “High Noon” is the classic. My favorite is “Red River,” which tells the story of a standoff between a father (John Wayne) and his adopted son (Montgomery Clift) as they drive cattle from Texas to Missouri. Wayne’s philosophy is summarized in these words: “We brought nothing into this world and it's certain we can carry nothing out.” For those who think Wayne was just an icon who couldn’t really act, this movie will show you just how much range he truly had, especially when playing off a great actor such as Clift.


Warner Bros.
The gang heads toward the final showdown in "The Wild Bunch."

Realistic violence: Westerns don’t get much more violent that Sam Peckinpah’s “The Wild Bunch” (again, rent the director’s cut), which tells the story of a band of aging outlaws (William Holden, Ernest Borgnine, Ben Johnson among them) who must face off against  deputized bounty hunters (including Holden’s old buddy Robert Ryan). This movie is brutal in a way that modern horror films can’t touch (you'll think Bonnie and Clyde got off easy). It’s the flip side of “The Magnificent Seven” because these guys are in no way “Magnificent.” They aren’t out to save anyone but themselves, but at the same time they are loyal to a fault. The image at the end of the film, when the four remaining men walk toward certain death together, will give you shivers.

Modern Westerns: There have been some great Westerns in the last few years, including the remake of “3:10 to Yuma,” “The Assassination of Jesse James By the Coward Robert Ford” and my personal favorite, “The Proposition,” which features Guy Pearce as a gunslinger who is blackmailed into tracking down his own brother (Danny Huston) to kill him. Let’s hope “Appaloosa” and “Australia” keep the resurgence going.

Of course, the genre is about as vast as an open plain, so I can really only name a few favorites here. Do you like Westerns, if so what are some of your favorites and why? If not, why don’t you like them?

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I think good westerns tap into something essential to the American character.  We hold them dear because they speak to us in a way no other movie genre can.  A good western depends on good story telling and does not need to rely on special effects to hold your attention.  My favorite westerns include Lonesome Dove and Shane, both of which have tremendous heart.
looks like all the great movies and great stars have been mentioned here, and i do love western movies....
but come on, not one time did i see the name of Randolph Scott, a great actor, who was one of the most outstanding western star in my opinion.
I really prefer the classics:
The Searchers (John Wayne as dysfunctional anti-hero!)
The Calvary Trilogy: Fort Apache, She Wore A Yellow Ribbon and Rio Grande
My Darling Clementine (Henry Fonda)
The Oxbow Incident (Henry Fonda)
Broken Arrow (James Stewart)
Destry Rides Again (James Stewart)

Any John Ford western is worth watching. He understood how to film the wild West. By the way, I used to think that, as an actor, John Wayne was only playing himself until I actually sat down to watch The Searchers and the Calvary trilogy.
In our house Tombstone ranks high.  My son knows all the dialogue by heart.  At the top of my list are the John Ford westerns with John Wayne, Winchester 73, Open Range, Ride a Pale Horse (Eastwood at his best) and Once Upon a Time in the West.
What are you guys talking about? One of the best westerns in recent times is Brokeback Mountain. Sigh, just seeing those to saddle up and take charge brings chills to my spine. Sure all the westerns that have been mentioned are amazing but when it comes to something that has substance and deep emotions its Brokeback Mountain. Excuse me im sweating just thinking about the movie.
What about "Young Guns"?!?!
I know it was a spoof of westerns, but I stil LOVE "Blazing Saddles". The fight scene at the end where they traverse the back lots of the studio is just a riot.
I also have to give my kudos to HBO's "Deadwood" and wish that they would bring it back. Timothy Olyphant is definately on MY "top 5" list (ala Friends)
Cat Ballou, Blazing Saddles & Rustler's Rhapsodhy for comedies. For classics, The Man Who Shot Liberty Valance and anything with John Wayne as long as he isn't in the Calvary. Modern, Val Kilmer's hypnotic portrayal of Holliday in Tombstone, Kurt Russell, Sam Elliot and Bill Paxton as the Earps are wonderful too, and Eastwood's The Outlaw Josey Wales and Unforgiven.
"The Outlaw Josey Wales" hands down!

"Dyin' ain't much of way to make a livin' boy"
Man Who Shot Liberty Valance
True Grit (Wayne's first outing as Rooster Cogburn)
Rooster Cogburn (essentially a remake of the African Queen but with Katherine Hepburn paired with John Wayne)
3:10 to Yuma (the recent version with such a good ending)
Silverado (it's just so much fun!)
Hang 'em High (okay, totally cheesy, but I watch it everytime it's on)
Magnificant Seven (I love Robert Vaughn's character.  Hate Horst Bucholz, Jr., though)
Quigly Down Under (Cowboys in Australia).  
Didn't see anyone mention John Wayne's Oscar winner, "True Grit."  He was really great in that.  And I loved Lee Marvin in "Cat Ballou."  Nor did I see anyone mention "Little Big Man" or "Dances with Wolves."  Both of those were Westerns, but not from the Cowboy perspective.  I loved both of them and watch them whenever I have the opportunity.  

I also like:
The Magnificent Seven
Red River
Silverado
Butch Cassidy and the Sundance Kid
Tombstone
and the original Stagecoach

Excellent suggestions...but of course no list would be complete without the aforementioned Magnificent Seven. For those who are more adventurous, however, some of the lesser known westerns have great merit. I suggest two very underrated films starring Burt Lancaster: "Valdez is Coming" (1971) and director Robert Aldrich's superb 1972 film "Ulzana's Raid" in which Lancaster gives a remarkable late career performance. In terms of relatively modern westerns, none could top Clint Eastwood's "Unforgiven", a film of raw emotional power that grows more intense with every viewing. It just brings to mind the frustration that Hollywood continues to largely ignore the one film genre that is uniquely American.
Gunfighter's Moon with the exceptional Lance Henriksen.  If there was ever a man to play in a western, it is Lance!  Tom Selleck and Sam Elliot are great as well
The Wild Bunch!  The best western about an end of era of loyalthy.  Searchers is probably my 2nd favor with John Wayne best performance of his career.
I do not see a single mention of "Winchester '73" in this list.  That is a travesty.  The final 10 or so minutes of the movie when we learn WHY Jimmy Stewart has been tracking down "the bad guy" is just devastating.

Also, how about "The Man Who Shot Liberty Valance".  Just for the line about when lies become legend, print the legend.
I've gotta go with Robert in Los Altos in his conceptual scheme, except I have great difficulty in deciding what titles come before the ellipses!  Must confess that as an adult I’ve always leaned toward the ‘mythic’, even if outrageously derivative, so long as well acted.  Since confessing, I’m also voting for the black & white, good versus evil, heroes of Saturday afternoon.  I don’t care how many times they rode around that same rock formation in Lone Pine!  Only later, around adolescence, does the glossing of unhealthy class and racial attitudes dawn and we then look for the anti-hero and the ‘naturalistic’ debunking.  Then…as intimations of ‘old timers’ appear those Saturday afternoons are so popcornistic…


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